Electro-acoustics with Elide Sulsenti
March 13th, 2025
About the concert
The concert starts outdoors at Ljudkullen, Västra Hamnen Malmö, and then continues at various locations around Malmö. We will walk together between the locations. The route is as follows:
1. Ljudkullen, Västra hamnen
2. Beijers bro
3. Ribersborgs hundrastplats
4. Slottsparken
5. Malmö konsthall
6. Inter Arts Center
About ELIDE SULSENTI
This year’s electro acoustic concert at Inter Arts Center is featuring cello virtuoso Elide Sulsenti!
Elide Sulsenti is an Italian cellist based in Switzerland. Active in the field of contemporary music, she recently received the Fritz Gerber Award 2023. Over the years, she has performed numerous premières and worked with composers of various nationalities. Her upcoming concert at Inter Arts Center will be performed solo in interaction with electronic effects and all the pieces are newly composed by the composition students of the Malmö Academy of Music.
Venue: Walking concert see below
Starting point:
Scaniabadet (Ljudkullen)
Ending point:
Inter Arts Center
Bergsgatan 29
214 22 MALMÖ
Concert starts 16:30
FREE ADMISSION
Programme
Naturligtvis behöver inte havet oss – Elias von Proschek
The poet Lennart Sjögren writes evocatively and soberly of the sea’s total indifference to human existence; the title of my piece borrows a line from his suite Havet (The Sea, 1974). The soloist, placed close to the sea and in the sparse centre of what essentially looks like a crater, ranges between hubris and humility, eventually merging with the surrounding and presenting birdsong – indifferent as the waves.
No more tears – Natalie Schäfer
In 1991, heavy metal singer Ozzy Osbourne released a song entitled “no more tears”, in which the night is described as a dangerous place, especially for women. Everyone should feel safe while leaving the house, no matter if it’s during the day or the night.
Breeze – August Jansson
Breeze is inspired by the momentarity of the wind’s howls. The piece does not display any full exploration of themes, but rather spontaneous – and not random – snippets of a greater context. It’s meant to be played in a large open space in a silent dynamic as to embody the insignificance of thought put to worldly beauty.
Dedo por dedo – Amalia Garay Lukacs
Dedo por dedo (2024) is a piece inspired by Victor Jaras music and his passing through the Estadio nacional (National Stadium) before his execution. The piece plays with one of his most famous song, “Luchín”, to portrait his last moments, finger by finger.
Producers:
Natalie Schäfer
August Jansson